Saturday, July 27, 2013

Day 1 - 3: Greenville, NC - Winchester, VA (Part One)

Hi folks,

My apologies for the lack of blogging lately. I’ve been getting ready for the tour I find myself currently enmeshed in, traveling the East Coast and Midwest for three weeks with my friend Sebastian, aka Proud Father, from the ruins of New Orleans.

As tours go, three days in everything is kosher and still fresh and fun, though I know exhaustion looms on the horizon like the scaffolding of some ominous pirate ship cruising hazardous waters. Our first day was spent in Greenville, NC at Rat & Slug, one of my favorite houses to play (and partially run by a friend from back home).

Rat & Slug is your typical punk house, a bit dirty (as the name implies), a bit precarious and crumbling, but warm and inviting nonetheless, a collapsing old house near campus surrounded by waves of wandering cats. My good friend Charles Wright offered blistering waves of harsh noise and destruction in a performance that left a lot of us jaw-dropped. Charles always seems to ‘trance in’ to his music, sipping tea and lighting incense while building stunning walls of pure sound fury. This was by far the most intense set of his I’ve seen, culminating in the demolition of a guitar neck violently hitting a metal canister. Our own sets went as well as first nights of a tour tend to do, a few minor equipment issues aside, and the night descended into DJ’ing and revelry. Rat & Slug is the perfect sort of low-key, friendly environment in which to begin a tour.

After a night on a floor we rolled back west for a stop at Scrap Exchange in Durham, my favorite junk store. Having gathered some amazing VHS/cassettes for sampling, and even a few gorgeous 35mm slides of a forested cemetery somewhere, we moved on to Richmond, Virginia, one of the most flat-out beautiful cities on the planet and one of my favorite places to play. The corner coffee shop we always begin our East Coast tours at is Globehopper, and it’s one of those half-discovered miracles of city life with delicious food and drink tucked away in an intriguing part of town. Another easy pair of sets and a little vegetarian Chinese food later, we drove north into the vast night to spend it on sleeping bags beneath giant oaks at a KOA Kampground near Fredericksburg.

Now we’re in the lovely, apple-obsessed mountain town of Winchester, Virginia, awaiting a show at Winchester Book Gallery (seriously, one of the most incredibly stocked book/record/video stores of all time) tonight with old friends Christopher Feltner and Guillermo Pizarro, two noise folks we’ve hosted in Burlington before. We’ve got a lot of time to kill in these pretty little town, so I’ll catch you folks later. Till then, ZC

PS - Photos pending. Already hit a sweet semi-abandoned stockyard and an abandoned house.



Friday, July 12, 2013

Pines

Hello folks,

I have a new instrumental folk side project called Pines. You can listen to the first song over at our new blog, www.pinesofnc.blogspot.com, and like us on Facebook at www.facebook.com/pinesnc

More soon, thanks!

Monday, July 8, 2013

As Safe As Houses

This house warps and melts like a 
wedding cake in fragrant summer,
each molded corner bleeding into 
the door-frames.
All the furniture is hemmhorraging
its stuffing, regretful and dolorous.

We could peel strips of the faded hardwood
away with our fingertips,
grasping furtively some sense
of decayed mystery beneath the boards,
where the earth meets the hearth.
The fireplace is still choked with coal dust,
and there's pale squares
where paintings once hung
in lost days of antiquity. 

Even the windows,
with their burden of busy insects and
swiftly-rusting screens,
are a reference point in glass.

Wednesday, July 3, 2013

Cut-Out Ghosts On A Wall

Halloween weather lingered over the city 
like an incantation,
heavy gray brushstrokes cresting against
the dead fields swept beneath the overpasses,
with leaves and scraps of paper pressed against
rusted fences at the airport's wind-blown boundaries.

Over the sullen scrim of ice that was the river,
radio lights burned feverishly 
through spires of black pine woods.
They left afterimages burned into our vision
as we staggered past the edge of the yard towards the house.

Our bulkhead is wired shut, our boots wet from slush,
and there's a sense of anticipation that's balanced like some
dark photographic negative over the 
paint-less boards of the porch,
where we sat head in hands, 
shivering and remembering.

Friday, June 28, 2013

Communique

This is a prose-poem-essay dealie that I contributed to the zine WYRD DAZE recently...

I have seen the march of powerlines across the landscape. Neat symmetrical arrangements of shimmering steel and wire that carry lightning between two axes, two balanced ends of a ruined and withered spectrum. These are the capillaries, the bloodstreams, the veins strung taut in ribbons. City to city and house to house, stirring each convenience to vivid life and light. We've watched it all on television. 

I've seen the deepest and secretest of gray-washed winter woods laid naked and ravaged by the earth-moving blade, the rusted rumble of gears and the lingering trace of filthy oil at the edge of a future building site. Where autumn once held her orange dominion, now miles of spidery commuter suburbs with tarped-over aboveground pools and red-cedar swingsets in the yards, sacks of poisons lurking in the eaves of the garage. Each cul-de-sac a dead void where mystery had laid down sighing. I've seen the uniformity like corpses arranged in a pagan circle.

I've seen the edge of great and spreading centers of commerce, where the blinking polestar signals of radio towers jostle amidst fields of white oil tanks and grim and sterile office parks, where toxins spill from the strangled rivers into the sumac and half-submerged shopping carts of a hesitant reservoir. I've seen the boundless pouring freeways, their many-shadowed overpasses scarred with the dim graffiti of teenage malice, glaring halogens and passing whims within easy steering. I've seen the interchanges and toll plazas, the false shrubs and noisewalls, the gaping tombstone hollows of ghost-boxes and rippling vacant-grinned airdancers. I've glimpsed the flickering headlights through the hazy amputated median forests on northbound lanes at midnight. I've seen the dreary beige fields of your outlands, North Carolina. I've seen where the layers of your progress give way collapsing.

I've seen the plumes of smoke from countless streaming Superfund chimneys. I've grown within reach of your abandoned mills of brick and soot and shattered, pebbled glass. I've seen your vinyl furniture set ablaze in a meadow beside a corrugated warehouse. I've seen your hangings, your phantoms, your sense of loss and your obsessive skeleton key past. I've seen the blood and chalk of your senseless sidewalk shootings, I've seen the drugs you can't purge from your system for the minimum wage food court job interview. These halogens aren't flattering to your skin. You could see a doctor if only you had the insurance.

I've seen these soldiers bored on their toted bedrolls. I've seen these police trailing you home if your skin is a shade too brown, Alamance County. Your harrowed realm is a witch's spellcraft, a ghost at the banquet, a lingering omen, a portentous sense of dread, unspeakable nightmares half-glimpsed moving in the darkness of an unknown alley or a haunted mountaintop wood. I've seen Other Burlington, and I've seen the distant lights of her awakening. I've seen the squadrons of black southern birds racing the moon and its tangles of drifting cloudbank. You're a seance, Old North. You raise the dead wholesale and sell them off cut-rate for a mall that'll rot derelict in fifteen years if business is booming. I've seen your taxidermy. I've seen your desperate, hallowed malingering, pulse fading, pressed in glass and trapped in amber. Your history is our own. The diaries you keep are stained with trails of errant ink, an NC carved in a wax seal, moldering. Your name is light pollution. Your name is a mirror. Your name is Gomorrah. Your name is consuming without regret to fill oblivion. Your name is lurid logos and leering billboards, beckoning from the highway to the death-sprawl that lurks just beyond a discreet tree-line. Your essential entirety is outskirts and borderlands, Tar Heel. You're an abandoned car filled with dread rumors on the side of a forgotten exit, aswarm with wasps. You forget how I've seen your boarded up windows on tenements and your forgotten asylums, your overcrowded hospitals and old folks' homes. You can't keep a history like that from one of your own, friend. I've seen how your trailer parks and driving ranges wither to ash in the falling twilight.

I've waited for Shearon Harris to go red and fill the sky with pouring radioactive rain. I've seen your cars piled in flames on cloverleafs etched against the chemical sunset. I've seen your terrified jet passengers bracing for the final descent into doom. I've seen your saw-blade and your axe chip efficiently, coldly away at the marrow of our green hills and plains. I've seen your hulking ships swaying in your salted tides. You are a nondescript parking lot down an access road. You're the empty pursuit of material perfection, a sanding away of edges and of character, a gated development with high walls and identical center-hall floorplans and anonymous magnet schools arranged within easy walking distance of shopping. I've seen it all since childhood: a veil lifted, a decay and a fever and a longing and an ache. I've seen the answers to your questions. I've seen the tarnish setting in. 

And still, beneath the curled veneer, I've seen the fox, the bear, the deer, the red wolf. Still I've seen the cool and bubbling rock-hewn streams, the black and endless wetland channels. Still I've seen the swarms of pine woods navigating the valleys. We've been there with our broken technology all along. We've been there with our warbling, dying VCR, our stained and eerie Polaroids, our scratched and blurring Super 8. We've been there with our cassettes set always to 'record'.

This is your salvation. This is your invitation to the ball. Your denouement is here, North Carolina. There's no more escaping or warding it away, no turning back. Approach this final abyss within. Critical mass has been breached and surpassed. The end is already set in motion and cannot be reversed. Brace for a coming storm.

Soon, we will begin disappearing like an old-time rapture. Every mailman, every gun-happy small-town sheriff, every crooked elected official, every perpetual and lethal widow adding arsenic to the glass, every drink-addled fraternity pledge stumbling through the gutters of Chapel Hill, every sunburned crabber, every soccer mom at Briar Creek in her SUV with stick figure family enumerated proudly on her back windshield, every buzz-cut Fayetteville recruit, every Durham gang-banger, every genteel old tobacco executive in their fading antebellum mansions, every bearded vegan barista in Asheville, every Seagrove potter, every family, every man, every woman, every child. We are vanishing from the very yards where we grill on the Fourth of July in preparation for fireworks. We are vanishing from behind our rubber Halloween masks in the thick of the spirit hour. We are vanishing from Christmas dinner, from lounging in front of Thanksgiving football. We are vanishing from winter, spring, summer, fall. This is the song of our departure.

And when we lift to the ceiling of your very burnished skies, we leave not the thinnest legacy behind, no pure illumination, no cast of light to impart that we were once a people, a community, a state, a home, save perhaps for one solemn and dying voice trailing like a streamer on the faintest hint of wind, bristling through the empty streets and down the silent travel lanes below rows of dead and leaning streetlights, from ocean floor to red clay ridge, between the broken skylines. A voice that insists, plaintively and pointedly, that I have seen the end of all I've ever loved and known, and I have seen the march of powerlines across the landscape. 

Heart and hope, love and entropy. Yearning and magnetic pull. Anchors and orbits. Dawn and the new bourgeoning. Names that now can never be unspoken.

Tear every city asunder. Sow new oats over the hallowed ground of this ruin. Break apart the elevated freeways with your hands and crush every skyscraper into powdered glass. Stomp every mall flat into the earth it trampled to be born. Unearth the bones from every graveyard. Erase every sidestreet and every stadium and every cinema, every drive-thru and every satellite station and every rock-flung shore, and brush over every trail with withered leaves until it's all a white expanse on the map, unremarked upon, unremembered, gone. Snap every smokestack and spire and roofline in two. And when everything's gone, begin to build again.












Monday, June 17, 2013

Bourgeoning Summer

All of the doors in the house closed at once, 
a dread chorus of gallows trapdoors banging shut
in the wake of chilled wind
that trailed through the house
like ice particles stirred to lively animation.

The sky wallowed in its sullen, amber pall,
little drifts of gray leaves dancing away up the road,
to where the bridge swayed drunkenly with 
each hollow, booming gust, 
recoiling snake-like from the 
bright purple frost of descending lightning.

This is the kind of rain
that washes seasons away whole, 
shrieking into the maw of raw yesterdays,
all bent backwards into oblivion.

Wednesday, June 12, 2013

10:37 PM, June 12th

On Burlington summer evenings
the darkness seeps in by degrees,
a silently falling veil
erasing the blue from neighborhood skies
to carve the night black,
the backyard trees bathed in the halogens
of rusted streetlights,
both etched like skeletons in the vast gloom.

This is a dark so deep
that it changes all perception,
doubles and redoubles distances
like a funhouse mirror,
conjuring unimaginable distortions.
Tiny lightning-bug beacons
stitch their invisible thread
between the stalks of stubborn timothy
by the worn back steps,
while the heat drips down from the air
like a wavering ghost of last week's rain.